BW 21: T is for Trevor

William Trevor
May 24, 1928

Today I'd like to introduce you to Irish author, William Trevor.   On May 24, he will be celebrating his 83rd birthday.   He was born in Mitchelstown, County Cork, Ireland.  Coincidentally my great grandmother was from County Cork as well.   Hmm...  I wonder!   He graduated from Trinity College in Dublin with a degree in History, worked as a teacher and sculptor until becoming a full time writer in 1968.  He emigrated to England in 1954 and today resides in Devon, England. 

His first book, written in 1958 "A Standard of Behavior" met with little success, however after writing short stories, his next book "The Old Boys" won the 1964 Hawthornden Prize for Literature.  He has won a number of prizes over the years for his works including the Irish Times Irish Literature Prize for Fiction, Whitbread Book of the Year, and Man Booker Prize for Fiction in 2002 for "The Story of Lucy Gault."

Story of Lucy Gault

According to Maureen Corrigan of NPR in her article about "William Trevor: A Short Story Master's Life Work and his most recent volume of short stories called "Selected Stories, Trevor is

"a master of capturing those small shifts in consciousness that shatter someone's world. Because he's an Irishman living in exile (Trevor has lived most of his long life in England) and because so many of those aforementioned epiphanies take place oh-so-discreetly, the comparisons to James Joyce have been inevitable. But as the 48 recent stories in this volume attest, Trevor has a more developed taste for the macabre than Joyce ever did. It creeps up on a reader slowly: the awareness that so many of these tales are about being trapped, buried alive, thwarted at every turn of life's labyrinth. And, yet, the signature response of Trevor's characters to their bricked-in situation is a fatalistic shrug garnished with Black Irish humor."

Selected Stories

In an interview with Mira Stout of The Paris Review, Trevor says of his writing:

 "I think all writing is experimental. The very obvious sort of experimental writing is not really more experimental than that of a conventional writer like myself. I experiment all the time but the experiments are hidden. Rather like abstract art: You look at an abstract picture, and then you look at a close-up of a Renaissance painting and find the same abstractions."

In response to her question why he's never created a hero in any of his stories:

Because I find them dull. Heroes don’t really belong in short stories. As Frank O’Connor said, “Short stories are about little people,” and I agree. I find the unheroic side of people much richer and more entertaining than black-and-white success.

Read the whole interview here for more insight into William Trevor, his writing, Irish writers and heroes, politics and more. It's rather insightful.

For more information on William Trevor, his book list and a critical perspective, go here.

Happy Birthday, William Trevor


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